Over at the blog Smallest Forest there is this super cute and detailed tutorial on how to make beads made from the pages of books!
I can’t wait to try this in all sorts of shapes.
[tags]how to make book beads[/tags]
Creative DIY Projects That Turn Trash Into Treasure
Over at the blog Smallest Forest there is this super cute and detailed tutorial on how to make beads made from the pages of books!
I can’t wait to try this in all sorts of shapes.
[tags]how to make book beads[/tags]

Before you put that empty food can in the recycling, have a look at its decorating potential. With a little rusty-orange paint, a vintage-style printable and a few autumn flowers, it can become a charming piece of Halloween decor.
This upcycled tin can project has that lovely primitive farmhouse look: weathered colour, softly aged paper and a simple wire handle. It looks especially good filled with sunflowers, muted foliage and berry stems.
The printable does much of the decorating here. Choose a crow perched on a pumpkin, a black cat beneath a crescent moon, an autumn owl or a harvest arrangement of pumpkins and sunflowers.
I like a seasonal craft that starts with something already in the kitchen. It leaves a little more of the craft budget available for the supplies we somehow convince ourselves are essential. Another ribbon roll, perhaps.
There are four coordinating designs to use for this project:
Print your chosen design smaller than a full page so it fits the front of your can. You want a visible painted border around the image, with room above and below it.
The parchment background is part of the artwork, so ordinary white paper will still give you an aged-paper appearance.
Skill level: Beginner, with adult tool use for the optional handle
Making time: Approximately 1 hour, plus drying and curing
Display: Indoors
Finished size: Depends on your can
A larger food can gives you more room for the artwork and flowers. A standard soup can works too, but keep the arrangement smaller and lighter.
Remove the label and wash away food residue and grease.
Remove adhesive residue using a method suitable for the metal, then wash again and dry thoroughly.
Check the rim carefully. Use a can with a smooth edge, ideally opened with a safety-style can opener. Discard cans with sharp edges, loose metal or serious corrosion.
Ribbon around the rim is decorative and does not make a sharp edge safe.
Skip this step if you prefer a simple tabletop container without a handle.
Mark two opposite points approximately 1.5 to 2 cm below the top rim. Position them so the front artwork will sit between the handle attachments.
Secure the can against a supported piece of scrap wood. Wear eye protection and drill slowly using a suitable metal bit. Do not hold the can loosely in your hand while drilling.
Remove sharp burrs with an appropriate small file and clean away all metal shavings.
Follow the preparation instructions for your metal primer.
Apply a thin coat and allow it to dry as directed. Priming helps the paint adhere to the smooth can rather than peeling away when handled.
Protect your work surface and follow the ventilation instructions for your chosen products.
Paint the outside burnt orange, terracotta or a muted pumpkin shade.
Apply thin coats, allowing each one to dry. Paint the visible rim as well, keeping the finish neat.
For a deeper primitive look, use a dark brown base beneath the orange and allow small areas to remain visible.
This is a painted rust effect. There is no need to deliberately corrode the metal.
Measure the usable height of the can between its upper and lower rims.
Reduce the artwork to leave approximately 1 to 2 cm of painted space above and below it, adjusting for your can’s proportions.
Keep the image proportions locked when resizing. Print a quick draft first if you are unsure about the fit.
Cut out the image and hold it against the can before applying adhesive. The paper should curve around the front without overlapping the handle holes.
Use lightweight matte paper rather than heavy cardstock, which is harder to shape around a curved surface.
Let the print dry fully, then test a spare printed scrap with your decoupage medium.
Some inkjet prints bleed when brushed with a water-based product. If yours does, protect it with a compatible clear acrylic spray sealer, following the label instructions and allowing it to dry completely.
Test the sealed scrap again before treating the main image. Laser prints may be easier to work with, but they should still be checked.
Brush a thin, even layer of decoupage medium over the area where the picture will sit.
Position the paper carefully, then smooth gently from the centre outward. Use clean fingers or a soft tool, avoiding excessive pressure.
Work the paper into the can’s contours without stretching or scrubbing it. A ribbed can may leave gentle ridges beneath the image, which suits the vintage finish.
Allow it to dry according to the medium’s instructions. Avoid repeatedly lifting the paper once it begins to soften.
Once the image is adhered and dry, brush a thin coat of matte decoupage medium over it, extending slightly beyond the edges.
Use gentle strokes and avoid repeatedly brushing one area.
Let the coat dry before adding another if your product recommends it. Follow the stated curing time before handling the finished surface extensively.
Use a nearly dry sponge to dab small amounts of dark brown paint around the upper rim, lower edge and selected areas of the orange surface.
Add a little charcoal sparingly for depth.
To soften the boundary around the printable, lightly stipple brown paint beside its edges. Practise on scrap paper first and keep the main illustration clear.
Brown distress ink is another option for the paper edges, but check its compatibility with your finish. Some inks remain reactive under water-based sealers.
Build the ageing gradually. You can always add another little mark, but removing a large muddy patch is considerably less enjoyable.
Cut enough wire to form an arch above the can, with approximately 5 to 7 cm extra at each end for securing it.
If using a predrilled wooden grip, thread it onto the wire before bending the arch. Centre it at the top.
Feed one wire end through each side hole from outside to inside. Bend and secure the ends into closed loops with pliers, keeping cut ends tucked away from the opening.
Check that the wire cannot pull straight back through the holes.
Treat this as a decorative handle. Carry the finished arrangement by supporting the can’s base, especially once it is filled.
Place a snug piece of dry floral foam inside the can. It should sit securely without forcing the metal outward.
Start with a few taller foliage stems, then add one or two sunflowers and smaller berry sprigs.
Keep the flowers balanced so the can remains stable. Position the fullest part of the arrangement above the rim, leaving the printable visible.
Use faux or dried materials. This decorated can is intended for a dry arrangement.
Tie a small checked bow, raffia bundle or piece of twine near one handle attachment.
Keep the embellishments modest so they do not cover the artwork.
Let all finishes cure before placing the can on furniture. Small felt pads beneath the base can help protect the surface.
The crow or black-cat version looks lovely on a Halloween mantel beside a few small pumpkins. The harvest design suits a dining-room sideboard or an autumn entryway table.
Pair it with these wooden pumpkin blocks made from scrap timber for a display that mixes painted wood, aged paper and flowers.
A coordinating fabric bow can connect it with our simple plaid fall wreath. For a larger decorating project, these rustic wooden porch pumpkins carry the same country-style feel into an outdoor display.
Try three cans in different sizes, using the crow, owl and harvest artwork.
Repeat the same paint colours, but vary the flowers slightly. One might have a sunflower, another a few wheat stems and the third a small spray of autumn leaves.
They do not need to match perfectly. A little variation makes the collection feel gathered over time, which is rather the point of vintage-inspired decorating.
An empty can, a printed picture and a few leftover stems can become something surprisingly lovely. And when autumn decorating starts with the recycling bin, there is considerably less reason to feel guilty about that extra ribbon.
